Core Collection
Time Dilation
The Time Dilation is a modulated delay playground with tons of juicy features. It is an analog voiced digital delay (PT2399 based) that provides sounds from classic slap-back to long ambient trails with a psychedelic twist. The modulation section is what really makes this effect special. With short delay times and low depth settings it can nail a chorus or vibrato sound, and with higher depth settings the modulation will bend the pitch of the delays within an octave up and down creating sounds never heard before.
Waves
Waves is a fresh take on the classic chorus effect. It has a 100% analog signal path, using vintage bucket brigade delay chips to get a lush 80’s chorus tone! It brings some exciting new controls to the table allowing for unique, inspiring and modern sounds. The main feature is the secondary LFO, the drift and rate 2 knobs allow you to dial in some pseudo-random waveforms or a ramping effect where the chorus speeds up/slows down. It easily gets into Leslie territory, and with a little help from the mix knob, it can produce a sweet vibrato.
Doomsday
It seems that every boutique builder has their own version of a crazy weird fuzz, so here’s mine. It has 8 knobs: Volume, Gain, Stability, Compression, Gate, Body, Tone and Soft. All the knobs including the ones on your guitar will interact with each other to warp and shape the fuzz tone and manipulate the absolute chaos that oozes from this monster.
Tremolite
A tremolo pedal like no other. Its key features include a toggle witch for harmonic and amplitude tremolo modes along with a slow/fast switch similar to that of the Waves, allowing the user to easily flip between two different speeds while playing. This gives the pedal an expression-pedal-like feel without the need for an actual expression pedal.
Comfort Drive
This is my take on a dual (2-in-1) overdrive, designed to add a sweet layer of compression and sustain to your playing so you have all the comfort you need. You can use the right side as an always-on base tone and the left side as a lead/solo boost, or you can use the left side as your main tone and use the right side to drive it a little harder for extra crunch, or you can set both sides independently and flip-flop between them by stepping on both foot-switches at the same time. Both sides are the exact same circuit but there are several DIP switches and Trimpots inside to voice them differently. There are options for hard clipping, soft clipping, thickness, high gain and trimpots for presence.
